All the following is copyrighted by me, and violators will be prosecuted with all manner of bizarre sex and other crimes of passion; whiplash, girl-child in the dark.
Please sign my guestbook.
Or leave something on my message board. And hopefully something that shows a certain amount of tact and finesse, not calling in charges of stupidity on my visions of the future. Everyone who's read them tells me, are powerful, evoking equally powerful responses, whether negative or positive. Just don't clutter up my e-mail with insults and obscenities. Nothing ruins my day faster than opening up a mailbox full of insults and dirty words. Only constructive criticism, please.
I KNOW FEAR AND LOATHING
The following is an excerpt of what was once a much longer project--an attempt at an autobiography of a mental patient--albeit a much inferior project; the original was largely bizarre porn. Having just finished my Master's, completing my Thesis in a hospital, jobless and homeless, I retured to Invisible City to live with my parents.
I went into a manic expisode which had me writing all manner of bizarre porn. This story is one long, strange, perilous journey to the heart of the Savage Id. It took me years to write it, following that first manic outburst that resulted in 2000 pages of bizarre porn in two months.
I took the story with me when I matriculated at Enterzone U, and, under the tutelage of Lowell Ganz, "turned the whole thing into a comic book about a swamp monster."
HERE BE MONSTERS!
REVENGE OF THE ROOTBOY
Perhaps it seems counterproductive what I'm doing here, putting a potentially commercial paperback product onto the web. But the real thing is about four times as long. For example, Lead's entire first year at college has been cut, including the great victory of Slime-thing over the Droogies: Al Gordo, the skinny one, Glen Potato, the fat one, and Lips Lipstick, the made-up one. These scions of Saklas have now been banished from a world he never made. This False Creator lies and says he created the world in seven days and nights, while the True Creator makes use of the long, slow passages of time.
And so it goes. I am really Curt Vague-n- Nuts. I wrote Venus on the Half-Shell, but lost all the buckadingdongs in the lawsuit.
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